The second is that stalkers learn to have endless patience. Stalkers are never in a hurry; they never fret. And the third is that stalkers learn to have an endless capacity to improvise. Only end results cause us to get frustrated, impatient, and be inflexible to change. Warriors flow with life by adapting themselves to a life that is continually changing. Self-stalking helps them learn who they are and diminish limiting behaviors.
They practice with their attention, letting it flow along the ever-changing river of life. Cheers Brother RTO. October 12, Arno's Blog 2 Comments The world is full of people that act like victims, blaming others for their problems. A warrior never goes into battle without knowing what the surroundings are.
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They seem imposed upon us. Yet, we can live each day with awareness, which helps us know our surroundings. Therefore, we discard unnecessary mental chatter and focus our attention on our surroundings. This is the third principle of the art of stalking. In this state one is left looking at a scene, a tableau of sorts, which is static. One sees a three-dimensional picture, a frozen bit of something — a landscape, a street, a house, a person, a face, anything.
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Dreaming requires then a quickened mind and the energy saved from talking to oneself allows one to dream. The shift into dreaming is achieved by anchoring the double to the second attention that being the attention of the nagual, The assemblage point makes a natural shift into this left side of awareness when one sleeps.
There are seven gates of dreaming that must be crossed for the dreamer to gain mastery over their dreaming. The first gate of dreaming is to gain control of ones attention in dreaming. The easiest way of doing this is through finding the hands in dreaming, this anchors the double in the second attention. The second gate of dreaming is to learn how to wake up in the dream into yet another dream — enabling the dreamer to change dreaming locations entirely.
The third gate of dreaming is reached when you find yourself staring at someone in a dream and that someone turns out to be you. There are two stages to this gate. The first stage, is to arrive at the gate; the second is to cross it. The fourth gate of dreaming involves learning to use the energy body as a means of travel. The sixth is to be able to transport the physical body to another location entirely And the seventh is to be able to transcend the world entirely and to step beyond this world with the totality of oneself.
I have found that remembering direction is a key element. Balancing ourselves and the forces in our world is also of prime importance.
Understanding the relativistic and dualistic nature of reality. Once we set out on this path there really is little alternative — when one begins to comprehend the knowledge it cannot then be unlearned, only expanded upon.
One may run away but this is not the path with heart and ultimately you will have to pay for this. Understanding the concepts of control folly and controlled abandonment is key. In regard to stalking controlled folly is our shield and guards us against the rigors of power. We require both Controlled abandonment and controlled folly in both waking and dreaming — being able to give ourselves to the moment and in the same instance able to act to produce the best possible outcome.
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The abstract will be achieved in time if one holds firm to the path with heart. But in the end reaching the spirit means there are really no devices one can cling to, no object, and no person. We have in the final outcome the say over our lives — it is our decision. I am already given to the power that rules my fate. And I cling to nothing, so I will have nothing to defend. I have no thoughts, so I will see. They occupy their time with something else. Anything would do. But now that you've accomplished it, you must apply the sixth principle: Warriors compress time; even an instant counts.
In a battle for your life, a second is an eternity; an eternity that may decide the outcome. Warriors aim at succeeding, therefore they compress time. Warriors don't waste an instant. It consisted of recollecting one's life down to the most insignificant detail.
Thus her benefactor had given her that crate as a tool and a symbol. It was a tool that would permit her to learn concentration, for she would have to sit in there for years, until all of her life had passed in front of her eyes. And it was a symbol of the narrow boundaries of our person. Her benefactor told her that whenever she had finished her recapitulation, she would break the crate to symbolize that she no longer abided by the limitations of her person. She said that stalkers use crates or earth coffins in order to seal themselves in while they are reliving, more than merely recollecting, every moment of their lives.
The reason why stalkers must recapitulate their lives in such a thorough manner is that the Eagle's gift to man includes its willingness to accept a surrogate instead of genuine awareness, if such a surrogate be a perfect replica.
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Florinda explained that since awareness is the Eagle's food, the Eagle can be satisfied with a perfect recapitulation in place of consciousness. Florinda gave me then the fundamentals of recapitulating. She said that the first stage is a brief recounting of all the incidents in our lives that in an obvious manner stand out for examination. The second stage is a more detailed recollection, which starts systematically at a point that could be the moment prior to the stalker sitting in the crate, and theoretically could extend to the moment of birth.
She assured me that a perfect recapitulation could change a warrior as much, if not more, than the total control of the dreaming body.jira.uptrail.com/5531-best-cell-tracker.php
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In this respect, dreaming and stalking led to the same end, the entering into the third attention. It was important for a warrior, however, to know and practice both.
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She said that for women it took different configurations in the luminous body to master one or the other. Men, on the other hand, could do both with a degree of ease, yet they could never get to the level of proficiency that the women attained in each art. Florinda explained that the key element in recapitulating was breathing. Breath for her was magical, because it was a life-giving function.
She said that recollecting was easy if one could reduce the area of stimulation around the body. This was the reason for the crate; then breathing would foster deeper and deeper memories. Theoretically, stalkers have to remember every feeling that they have had in their lives, and this process begins with a breath. She warned me that the things she was teaching me were only preliminaries, that at a later time, in a different setting she would teach me the intricacies.
Florinda said that her benefactor directed her to write down a list of the events to be relived. He told her that the procedure starts with an initial breath. Stalkers begin with their chin on the right shoulder and slowly inhale as they move their head over a hundred and eighty degree arc. The breath terminates on the left shoulder. Once the inhalation ends, the head goes back to a relaxed position. They exhale looking straight ahead.
The stalker then takes the event at the top of the list and remains with it until all the feelings expended in it have been recounted. As stalkers remember the feelings they invested in whatever it is that they are remembering, they inhale slowly, moving their heads from the right shoulder to the left.
The function of this breathing is to restore energy. Florinda claimed that the luminous body is constantly creating cob-weblike filaments, which are projected out of the luminous mass, propelled by emotions of any sort. Therefore, every situation of interaction, or every situation where feelings are involved, is potentially draining to the luminous body. By breathing from right to left while remembering a feeling, stalkers, through the magic of breathing, pick up the filaments they left behind.
The next immediate breath is from left to right and it is an exhalation. With it stalkers eject filaments left in them by other luminous bodies involved in the event being recollected. She stated that these were the mandatory preliminaries of stalking, which all the members of her party went through as an introduction to the more demanding exercises of the art. Unless stalkers have gone through the preliminaries in order to retrieve the filaments they have left in the world, and particularly in order to reject those that others have left in them, there is no possibility of handling controlled folly, because those foreign filaments are the basis of one's limitless capacity for self-importance.
In order to practice controlled folly, since it is not a way to fool or chastise people or feel superior to them, one has to be capable of laughing at oneself. Florinda said that one of the results of a detailed recapitulation is genuine laughter upon coming face to face with the boring repetition of one's self-esteem, which is at the core of all human interaction. Florinda emphasized that the rule defined stalking and dreaming as arts; therefore they are something that one performs. She said that the life-giving nature of breath is what also gives it its cleansing capacity. It is this capacity that makes a recapitulation into a practical matter.
Florinda said that her benefactor considered the three basic techniques of stalking - the crate, the list of events to be recapitulated, and the stalker's breath - to be about the most important tasks a warrior can fulfill. Her benefactor thought that a profound recapitulation is the most expedient means to lose the human form. Thus it is easier for stalkers, after recapitulating their lives, to make use of all the not-doings of the self, such as erasing personal history, losing self importance, breaking routines and so forth. Florinda said that her benefactor gave all of them the example of what he meant, first by acting out his premises, and then by giving them the warrior's rationales for his actions.
In her own case, he, being a master of the art of stalking, acted out the ploy of her disease and cure which not only was congruous with the warrior's way, but was a masterful introduction to the seven basic principles of the art of stalking. He first drew Florinda to his own battleground where she was at his mercy; he forced her to discard what was not essential; he taught her to put her life on the line with a decision; he taught her how to relax; in order to help her regroup her resources, he made her enter into a new arid different mood of optimism and self-confidence; he taught her to compress time; and finally he showed her that a stalker never pushes himself to the front.